2017, Year in Review

As the remaining hours of 2017 fade away, I always try to take time to reflect on the accomplishments I had. I don’t typically write them on this platform, but this year, I felt this was the most appropriate place.

This was definitely a long year. It feels so foreign to look at events that transpired in January, and hold them in the same year as events that happened in November. I think this is why it’s such a good idea to reflect.

In the first few months of 2017, I worked with E Leal Productions to finally finish a project that began in 2011. Reborn, a film project that was the launch pad for so many of the people in my network, was finally complete. We held a screening for the cast and crew. It served as a reunion for so many of us who had moved on. It was also a culmination of many years of experience.

Shortly after the Reborn screening, I worked on some employee appreciation videos for Clare Oaks. Through this, we were able to use some of our new equipment. The people involved in this video project were so wonderful and accommodating. It was a great experience.

In the spring, I helped produce Exit Interview for Jason Rugg. It was a submission to the My Rode Reel competition for the year. The shoot day was long and difficult, but as a crew, we were able to finish everything that we had set out to do. The aches and pains were worth it.

Throughout the summer, I worked the Xcelerate summer camps for the 5th year in a row. This was definitely the most difficult year for me for a variety of reasons. The class load that I had this year was the largest it’s ever been, and it covered a variety of topics that really expanded my comfort zone. We’ll see what the upcoming year has in store for me on this front.

While handling all of those summer camps, I finally put together a trailer and poster for my short film, 3:03. I needed to put together these promotional materials in order to start submitting to other festivals. I’m still waiting on word from many of those submissions, but the experience has been a great one so far. The film was actually a semi finalist for Outstanding Female Filmmaker at the Stormy Weather Horror Fest in the summer season!

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In October, I produced another short film for Jason Rugg. This film, titled Pin 5:29, was a submission for a Film Riot competition. For this particular entry, the film was condensed to 60 seconds, but a longer, director’s cut is still on the horizon to show off more of the director’s ideas. It was a fun shoot, and I feel like it went really well. It was a great example of expanding experience.

As the final months of 2017 approached, I found myself heading back to the pre-production plan for my upcoming short film, Return to Sender. My pre-production work for this film began at the end of 2016, but was put on hold for a variety of reasons, mostly stemming from my work load at the summer camps and my personal life. I also got engaged, planned a wedding, and got married this year! It was a big year!

It’s nice to be getting back in gear for that project! I know I’ve said this before, but this time I’m hoping to stick to it.. Let’s hit the ground running in 2018!

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Exit Interview

Don’t let the title deceive you. I’m not leaving any jobs.

This post will be about the short film Exit Interview, directed by Jason Rugg, which I recently produced. Conceptualized as an entry for the 2017 Rode Reel competition, Exit Interview follows a man who doesn’t understand that his ideal girlfriend is just not that into him.

Going into the production of this film, my role was more of a line producer. This means that my main job was to keep the production on time, to make sure that everything happened and stayed on schedule.

Over the last few productions I’ve been a part of, I’ve used Shot Lister to help with this. I definitely have some complaints about the current state of the program, but it has the potential to be a very nice organizational tool. I would suggest checking it out. It might be of use to you.

We had a small crew, but there was a bit more help than we usually have. Rugg was directing. I was doing my producing role. Erik Leal of E Leal Productions was running audio and helping with lighting. Rugg also brought in someone to record behind the scenes video and assist when needed. We had three cast members, and two groups of extras throughout the day.

It was an all day shoot. As a crew member, I was there from 9:00am till almost 10:00pm. All of the scenes were shot at a central location, so break down and set up throughout the day wasn’t incredibly difficult. Overall, the day was very eventful and a good learning experience for everyone involved.

You can view the Behind the Scenes video below.

As for editing, that was a bit of a challenge. Everyone just has so much going on, its hard to set time aside. We managed to get an edit done for the Rode Reel deadline. It’s so nice to see how everything came together in the edit.

I’m a really big fan of how the locations look and the performance of the actress who plays Amy, Emma Baker. She was fantastic on set, and her performance comes off really well in the final film. I’m super pleased.

You can see the Rode Reel submission below!

At some point in the future, there may be a director’s cut that would give a little more freedom in the edit without the Rode competition restrictions. If that comes to pass, I will be sharing that as well.