Pin 5:29 – 60 Second Version

If you’ve been following the production of Jason Rugg’s Pin 5:29, then you’re in luck because the 60 second version of the film is finally here!

Check out the film below.

There may very well be a longer version that is released at a later date. This longer version would explore a more atmospheric pacing in the beginning to give a more detailed backstory leading toward the eventual end.

Stay tuned!

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Pin 5:29 – Production

While 31 Days of Reviews was dominating my blog, I didn’t have much time to write about the newest production I’ve been a part of. Throughout October, I jumped back into the producer’s chair for a new short film by Jason Rugg called Pin 5:29!

I don’t have a ton of insight about pre-production because I was incredibly busy with other things. The other producer on the film helped with casting and some script doctoring. I managed to be able to help with securing the location and planning for the actual shoot day, making sure everything ran on schedule and all that.

On the day of the shoot, we had an early crew call. This allowed us to get the equipment set up and start practicing all the things we would have to do. It helped us to be a lot more prepared. When the actor showed up at his call time, we were able to brief him, get him in costume, and jump right in.

Everything was in the same location, just different rooms. This made it easier to transfer equipment from scene to scene. It was just a matter of moving things. We had craft services set up in a nearby room. I think the location served everything really well.

For the most part, we shot in chronological order. I had it organized as much as possible by what lens we would be using to get each shot. There were definitely some interesting shots included in the shot list for this one. You can get a peek at one of the interesting shots in the picture below.


There were a couple of hiccups along the way, something I attribute to having one less set of hands than what we were planning to have. In the end though, we finished everything pretty close to the scheduled time, and the director is very happy with it.

From what I’ve seen in editing thus far, it’s looking really good. The director is excited about it. I’m excited about it. I can’t wait to show it off. We’re aiming for a 60 second cut at first. There may be a secondary cut that is a tad longer, but for the time being, the 60 second cut is the main focus.

Stay tuned for Pin 5:29!

Return to Sender: Storyboard

Due to some shuffled plans, I was able to start on pre-visualization for my next short film sooner than I was expecting. With my particular team, we have developed a way to start pre-production that runs very smoothly. It happens in stages.

During the first stage, I go through my script, and I think about how I’d like to see it transfer from page to screen. I pull out my own storyboard template, and I draw it out on paper. Now, I’m definitely not the best artist in the world, so my drawings really help no one out but me. (We figured this out while in production on Lights).

In the second stage, we take my drawn storyboard, and we turn that into a 3D visualization. To do this, I work with my cinematographer, and we figure out exactly what I’m trying to say, and we translate that into something that he can understand. In the end, my storyboard is a plan, and his 3D visualization ends up being the actual storyboard.

Return to Sender Shot 23

This process makes production run so smoothly. We can make a plan for shoot days and know approximately how long each shoot day will take. We can factor in set up time, lunch breaks, and factor in room for error. It helps to put together a production schedule, find locations, use time efficiently, and don’t even get me started on how well it works as a plan of attack for editing.

As I mentioned above, this is the process that I’ve developed for my films with the people I work with consistently. I’ve worked as a producer for other filmmakers, and they don’t all do the same thing. It really depends on the filmmaker.

With all that being said, the storyboarding process is now complete for my next short film, Return to Sender. The images included above are examples from that.

We’re still in pre-production, just moving on to the next phase of that. We still have location scouting to do and casting. I’m considering doing casting differently this time around than what I’ve been doing, but that will entirely depend on scheduling. I’m still up in the air about that.

Stay tuned for more updates on Return to Sender as the process continues!

Reborn (2017) Online

After a very long wait, Reborn is finally available to view online! Sitting at 45 minutes, this feature was originally intended to be a pilot for a television series. People have been asking about possible continuations, but only time will tell.

Unlike the other films I’ve promoted on my blog, Reborn is not written or directed by me. I was lead camera operator for this project, and I was a co-editor. There are some scenes within the feature that I did storyboard for, or where I was assistant director or a stand in director of photography, but in the end, for this project, I was a part of a very big and talented team.