While I haven’t written much about it on this platform, we’ve been working on the edit for Return to Sender for a while. We were actually so excited about it that we had rough edits of the first and second shoot days within a week of them being shot!
Post production can tend to be a long (and to many, boring) process. When I make routine updates about it, it can often feel like I’m reiterating the same thing over, and over again. “The edit is underway! We’re making progress!”
For this reason, I decided to wait to post about the post production process until it was on the verge of being completed. It’s just easier to talk about that way.
So, we had the rough edit taken care of pretty quickly. It was really nice to see the footage come together to bring my story to life. I can’t thank my cast and crew enough for helping this become reality.
The biggest issue we had to tackle with the basic edit was getting the pacing just right. There was one scene in particular that involved the lead actress where this was very important. The pacing of this scene could make or break the film overall. It was very important for me to get it right.
This took a good chunk of time. We even had to take a step away for a bit in order to come back with fresh eyes. I felt it was necessary to break away from the fond memories of the shoot day in order to focus on what would be best for the edit. There may have been shots that I absolutely loved on the day of the shoot that just wouldn’t help in the big picture.
I needed the pacing to be able to tell the story on its own. I wanted the emotions to carry through, even if the film were to be watched with no sound. It was a big hurdle to cross, but I think we got there.
Once we finally got the basic edit the way we wanted it, the film was sent for color grading, sound design, and original music.
This portion took a good chunk of time as well, but it wasn’t nearly as difficult as the pacing. I really handed this portion off to my post production team here, and they did a fantastic job. I just had to approve things.
Ryan Cwiklik stepped in to provide original music once again. He has also done original music for my films Lights and ms and me in the past. This time around, he also took on the sound design. I really have to commend him for this because I’m not the best at translating my thoughts about audio work.
He understood all of my weird lingo. There needs to be more of the “ting ting” and less of the “groan groan” here. I’m a fan of this but when we get to this point, “it’s too much ouch.” Oh, I was a joy to work with. There were a lot of laughs at my expense.
Erik Leal took on the foley with a lot of my help. I always enjoy foley. It’s fun stuff. We recreated sounds that movie goers really don’t think twice about, but it all comes together to make a better viewing experience.
After that, it all came down to color grading and a small bit of visual effect. At this point, we’ve finished that up, and we’re doing final checks and creating credits.
It’s time! It’s almost here!