2017, Year in Review

As the remaining hours of 2017 fade away, I always try to take time to reflect on the accomplishments I had. I don’t typically write them on this platform, but this year, I felt this was the most appropriate place.

This was definitely a long year. It feels so foreign to look at events that transpired in January, and hold them in the same year as events that happened in November. I think this is why it’s such a good idea to reflect.

In the first few months of 2017, I worked with E Leal Productions to finally finish a project that began in 2011. Reborn, a film project that was the launch pad for so many of the people in my network, was finally complete. We held a screening for the cast and crew. It served as a reunion for so many of us who had moved on. It was also a culmination of many years of experience.

Shortly after the Reborn screening, I worked on some employee appreciation videos for Clare Oaks. Through this, we were able to use some of our new equipment. The people involved in this video project were so wonderful and accommodating. It was a great experience.

In the spring, I helped produce Exit Interview for Jason Rugg. It was a submission to the My Rode Reel competition for the year. The shoot day was long and difficult, but as a crew, we were able to finish everything that we had set out to do. The aches and pains were worth it.

Throughout the summer, I worked the Xcelerate summer camps for the 5th year in a row. This was definitely the most difficult year for me for a variety of reasons. The class load that I had this year was the largest it’s ever been, and it covered a variety of topics that really expanded my comfort zone. We’ll see what the upcoming year has in store for me on this front.

While handling all of those summer camps, I finally put together a trailer and poster for my short film, 3:03. I needed to put together these promotional materials in order to start submitting to other festivals. I’m still waiting on word from many of those submissions, but the experience has been a great one so far. The film was actually a semi finalist for Outstanding Female Filmmaker at the Stormy Weather Horror Fest in the summer season!

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In October, I produced another short film for Jason Rugg. This film, titled Pin 5:29, was a submission for a Film Riot competition. For this particular entry, the film was condensed to 60 seconds, but a longer, director’s cut is still on the horizon to show off more of the director’s ideas. It was a fun shoot, and I feel like it went really well. It was a great example of expanding experience.

As the final months of 2017 approached, I found myself heading back to the pre-production plan for my upcoming short film, Return to Sender. My pre-production work for this film began at the end of 2016, but was put on hold for a variety of reasons, mostly stemming from my work load at the summer camps and my personal life. I also got engaged, planned a wedding, and got married this year! It was a big year!

It’s nice to be getting back in gear for that project! I know I’ve said this before, but this time I’m hoping to stick to it.. Let’s hit the ground running in 2018!

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Pin 5:29 – 60 Second Version

If you’ve been following the production of Jason Rugg’s Pin 5:29, then you’re in luck because the 60 second version of the film is finally here!

Check out the film below.

There may very well be a longer version that is released at a later date. This longer version would explore a more atmospheric pacing in the beginning to give a more detailed backstory leading toward the eventual end.

Stay tuned!

Pin 5:29 – Production

While 31 Days of Reviews was dominating my blog, I didn’t have much time to write about the newest production I’ve been a part of. Throughout October, I jumped back into the producer’s chair for a new short film by Jason Rugg called Pin 5:29!

I don’t have a ton of insight about pre-production because I was incredibly busy with other things. The other producer on the film helped with casting and some script doctoring. I managed to be able to help with securing the location and planning for the actual shoot day, making sure everything ran on schedule and all that.

On the day of the shoot, we had an early crew call. This allowed us to get the equipment set up and start practicing all the things we would have to do. It helped us to be a lot more prepared. When the actor showed up at his call time, we were able to brief him, get him in costume, and jump right in.

Everything was in the same location, just different rooms. This made it easier to transfer equipment from scene to scene. It was just a matter of moving things. We had craft services set up in a nearby room. I think the location served everything really well.

For the most part, we shot in chronological order. I had it organized as much as possible by what lens we would be using to get each shot. There were definitely some interesting shots included in the shot list for this one. You can get a peek at one of the interesting shots in the picture below.


There were a couple of hiccups along the way, something I attribute to having one less set of hands than what we were planning to have. In the end though, we finished everything pretty close to the scheduled time, and the director is very happy with it.

From what I’ve seen in editing thus far, it’s looking really good. The director is excited about it. I’m excited about it. I can’t wait to show it off. We’re aiming for a 60 second cut at first. There may be a secondary cut that is a tad longer, but for the time being, the 60 second cut is the main focus.

Stay tuned for Pin 5:29!