Return to Sender: Storyboard

Due to some shuffled plans, I was able to start on pre-visualization for my next short film sooner than I was expecting. With my particular team, we have developed a way to start pre-production that runs very smoothly. It happens in stages.

During the first stage, I go through my script, and I think about how I’d like to see it transfer from page to screen. I pull out my own storyboard template, and I draw it out on paper. Now, I’m definitely not the best artist in the world, so my drawings really help no one out but me. (We figured this out while in production on Lights).

In the second stage, we take my drawn storyboard, and we turn that into a 3D visualization. To do this, I work with my cinematographer, and we figure out exactly what I’m trying to say, and we translate that into something that he can understand. In the end, my storyboard is a plan, and his 3D visualization ends up being the actual storyboard.

Return to Sender Shot 23

This process makes production run so smoothly. We can make a plan for shoot days and know approximately how long each shoot day will take. We can factor in set up time, lunch breaks, and factor in room for error. It helps to put together a production schedule, find locations, use time efficiently, and don’t even get me started on how well it works as a plan of attack for editing.

As I mentioned above, this is the process that I’ve developed for my films with the people I work with consistently. I’ve worked as a producer for other filmmakers, and they don’t all do the same thing. It really depends on the filmmaker.

With all that being said, the storyboarding process is now complete for my next short film, Return to Sender. The images included above are examples from that.

We’re still in pre-production, just moving on to the next phase of that. We still have location scouting to do and casting. I’m considering doing casting differently this time around than what I’ve been doing, but that will entirely depend on scheduling. I’m still up in the air about that.

Stay tuned for more updates on Return to Sender as the process continues!

Return to Sender: Writing

I’ve been pretty discreet about this, but I have begun working on my next short film.

The concept is an idea that I originally thought of for Project Greenlight back in 2014. I ended up not using the idea at that time, and I started conceptualizing my undergraduate thesis film instead.

Since then, that original concept has definitely changed. The idea for Project Greenlight was extremely short, less than three minutes. That was part of the reason why I didn’t go through with it at the time. I felt it was going to be too similar to my other work, and I wanted to take the time to try to make it a bit different.

The struggle has been letting go of that original idea a bit. I held on to that original concept for so long that now that I’m changing it, and making it better (hopefully), it’s been a bit of a process to change those initial visuals that were in my head. I just got stuck in a rut with that original idea that I held on to for years, and it kept rearing its head, even when I was trying to make changes.

Hence why I’ve been keeping it a secret for so long! In order to get to this final draft, I went through multiple versions and approximately 5 drafts for each version. That’s a lot of changes.

Now that I’ve reached a point where I’m happy, and the associates that have read the final draft are happy, I think I can finally move on to pre-visualization and casting.

Keep an eye out for future updates on this project.